To understand the world of contemporary art, think of the artist as the hub, with an array of stakeholders—among them, curators, collectors, critics—as the spokes. Each has a stake in the other; together, they’re a symbiotic ecosystem in which artistic insight, social prestige, and great wealth hang in the balance.
Join a fascinating conversation between a major contemporary artist and the professionals whose livelihoods are linked to their work on Thursday, September 10, 2020, 7:00 – 8:30 pm, when the Bruce Museum hosts a Zoom webinar: Curator, Collector, Critic, Creator: What Is 'Contemporary Art' Today?
Participation in the Bruce Presents virtual program, for the benefit of the Bruce Museum, is $25 for Museum members, $35 non-members. Reservation link is provided below or call 203-869-0376; a link to join the conversation on Zoom will be sent to registered attendees one hour prior to the program. Support for Bruce Presents, the Bruce Museum’s monthly series featuring thought leaders in the fields of art and science, is generously provided by Northern Trust and Berkley One, a Berkley Company.
Artist and author Joe Fig.
Central to the September 10 discussion about contemporary art today is Joe Fig, an artist and author known for work that explores the artistic creative process and the spaces where art is made. His paintings, sculptures, and photographs have been exhibited at the Bass Museum of Art, the Bruce Museum, Chazen Museum of Art, Fleming Museum, New Britain Museum of American Art, Orlando Museum of Art, Parrish Art Museum, Pennsylvania Academy of Fine Arts, and the Toledo Museum of Art. His work can be found in numerous private and museum collections, including the Bruce Museum. Author of the critically acclaimed Inside the Painter's Studio and Inside the Artist's Studio, Fig is currently the Chair of Fine Arts and Visual Studies at Ringling College of Art and Design in Sarasota.
Chronicling the artist’s travels across the country, the paintings in Contemplation present versions of a similar scene: people looking at art. Some are in galleries, others in museums. Settings run the gamut from crowded blockbuster shows where the visitors take prominence, to quiet and intimate portraits of an individual completely absorbed in an artwork.
This series of works began in 2016 as an exploration of an ongoing, routine activity for members of the art-loving public. In the era of COVID-19, it has taken on a sense of melancholy and nostalgia, pitted against the backdrop of a pandemic. Images that once communicated open-ended moments of rumination are now charged with a sense of loss. In Fig's words, “It will never be the same again.”
With her deep familiarity with Fig’s body of work and global perspective on the contemporary art market, Cristin Tierney lends expert insight to this conversation. Tierney has owned a contemporary art gallery in New York City since 2010 and has served as an advisor to a number of private collectors and institutions since 2000. Prior to founding her advisory firm, she was a consultant for many years at Christie's Auction House. Tierney has also served on the boards and committees of numerous non-profit organizations, including Reynolda House Museum of American Art and the Lower East Side Printshop. She has a Master's Degree from the Institute of Fine Arts, New York University, and has taught graduate-level seminars at NYU on the history of the art market as well as undergraduate art history.
For more about the panelists, click here.